/* ==========================================================================
   AN AUSTRIAN ECONOMIST · V4 · THE PRINTED BROADSHEET
   --------------------------------------------------------------------------
   Loaded with media="print" on every leaf (QC refinement R3, July 2026):
   the gazette prints as a clean broadsheet, not as a webpage printout.

   The doctrine:
   · Ink-on-white economy. The aged-paper tile, the band stocks, and the
     sectional washes are the SCREEN's materiality; on real paper they are
     someone else's paper. The page prints white; the type, the rules, the
     frames and the plates carry the identity.
   · Typography and rules preserved. The engraved rule library, the burin
     pull bar, the tailpiece stubs, the crop marks and the figure hairlines
     are ink, not decor: they are forced to print (print-color-adjust)
     even where the reader's "background graphics" box is unticked.
   · Plates print well. Raster engravings drop their multiply blend (over
     white, multiply is identity in theory and an artifact source in
     practice) and keep their brightness lifts, so scan grounds meet the
     white page seamlessly. Inlined SVG plates are content and print whole,
     with their own paper grounds and frames: tipped-in plates. The HTML-
     native figures keep their semantic tints and data bars: a chart that
     loses its bars has lost its argument.
   · No interactive chrome. The directory, the running folio, the reading
     thread, the fold-out affordance, the voice numerals and the catalogue
     filters belong to the screen. Directs and "continued" lines are period
     furniture and stay.
   · URLs are NOT spelled out after links. A made object, not a printout;
     the wordmark on page one says where the gazette lives.
   · Page-break discipline: no heading orphaned from its text, no plate,
     pull or colophon split across a sheet.

   The sheet is unlayered, so its normal declarations already outrank every
   layered screen style; !important appears only where an unlayered essay
   sheet (coin-cannon's essay.css) or an inline style must also yield.
   ========================================================================== */

@page {
  margin: 15mm 14mm 18mm;
}

/* --------------------------------------------------------------------------
   1 · The white sheet: page-scale surfaces die, figure ink survives.
   -------------------------------------------------------------------------- */
html, body {
  background: #ffffff !important;
}
body {
  -webkit-print-color-adjust: economy;
  print-color-adjust: economy;
  -webkit-font-smoothing: auto;
  text-rendering: auto;
}

/* Band stocks and deed panels: white paper, kept frames. */
.band, .band--deep, .band--panel,
.voices-panel__inner,
.tool,
.folio,
.catalogue-thumb,
.catalogue-orn {
  background: none !important;
}

/* Seat fields behind engravings (the multiply ground is retired in print). */
.lead-headpiece__frame,
.headpiece-fig__frame,
.plate-fig__seat,
.seat {
  background: none !important;
}

/* The figure wells keep their crop marks and rulings (ink), lose their
   grounds (paper). background-color alone dies so the corner-mark and
   account-ruling background-images stay. */
.plate-well,
.plate {
  background-color: transparent !important;
}

/* Sectional tonality (washes, glows, hatches) is screen materiality. */
.toc,
.exit-hero,
.closing,
.complex-hero--fic, .complex-hero--mic, .complex-hero--tic,
.deal-section,
.essay-section--dark,
.empires,
#participation,
.capture-warning {
  background: none !important;
}

/* Anything still dark-surfaced prints as ink on white. */
.plate--dark, .essay-section--dark {
  color: var(--ink) !important;
}

/* Letterpress shadows and screen elevation do not translate to paper. */
* {
  text-shadow: none !important;
  box-shadow: none !important;
}

/* --------------------------------------------------------------------------
   2 · Ink that must print even with "background graphics" off: the rule
   library, the burin pull bar, the tailpiece stubs, the crop marks, the
   masthead's mini-rules, and the figure-internal tints and data bars.
   print-color-adjust inherits, so figure wrappers cover their insides.
   -------------------------------------------------------------------------- */
.rule,
.rule-fleuron,
.masthead__byline-rule,
.pullquote,
.tailpiece,
.plate-well,
.essay-section__rule,
.closing__terminal,
figure, .figure, .plate,
.ownership-table,
.deal-diagram,
.empires__timeline, .empires__era-block,
.actor, .actors,
.catalogue-entry__epigraph,
.playbook {
  -webkit-print-color-adjust: exact;
  print-color-adjust: exact;
}

/* --------------------------------------------------------------------------
   3 · Plates: no multiply artifacts on white. The blend drops; the
   brightness lifts stay and carry scan grounds to the white of the page.
   -------------------------------------------------------------------------- */
img, .engraving {
  mix-blend-mode: normal !important;
}
.seat { isolation: auto; }
img { max-width: 100% !important; }

/* --------------------------------------------------------------------------
   4 · Motion is a screen phenomenon. Every settle, draw-in and dissolve
   completes; nothing prints ghosted (the view()-timeline freeze trap).
   -------------------------------------------------------------------------- */
*, *::before, *::after {
  animation: none !important;
  transition: none !important;
}
.settle, .io-motion .settle {
  opacity: 1 !important;
  transform: none !important;
}
.rule--draw, .io-motion .rule--draw {
  transform: none !important;
}
/* coin-cannon's V3-era scroll reveal: opacity-0 until JS sees it scrolled.
   Print never scrolls; without this line 34 of its 47 sheets printed BLANK
   (the view()-ghost trap in print form). */
.reveal {
  opacity: 1 !important;
  transform: none !important;
}

/* --------------------------------------------------------------------------
   5 · Interactive chrome retired from the printed leaf.
   -------------------------------------------------------------------------- */
.skip-link,
.frontnav,
.folio,
.progress-hair,
.progress-hair--edge,
.voices-nums,
.foldout-row,
.foldout-btn,
dialog,
.filed-under,
.footer__links {
  display: none !important;
}

/* The certificate prints the standing voice alone; the reserved height of
   the screen's longest quote would print as dead paper. */
.voices-quote[hidden] {
  display: none !important;
}

/* --------------------------------------------------------------------------
   6 · Page-break discipline: the compositor's rules.
   -------------------------------------------------------------------------- */
p {
  orphans: 3;
  widows: 3;
}
h1, h2, h3, h4,
.secthead, .rail-head, .cover {
  break-after: avoid;
  break-inside: avoid;
}
/* The leafhead may share its sheet with the ornament above it; gluing it
   to a catalogue entry that cannot follow orphaned it on a page of its
   own (the unsatisfiable-avoid chain). */
.leafhead { break-inside: avoid; }
figure, .figure,
.plate-fig, .headpiece-fig, .lead-headpiece,
.plate-well,
.pullquote,
blockquote,
.notices,
.tool,
.voices-panel,
.recent-item,
.subject-index li,
.catalogue-entry,
.essay-colophon,
.tailpiece, .tailpiece-fig,
.empires__era-block,
.masthead,
.footer {
  break-inside: avoid;
}
.essay-close, .next-leaf {
  break-before: avoid;
}

/* --------------------------------------------------------------------------
   7 · Fit for the sheet. Portrait plates step down so they can follow a
   paragraph instead of pushing to a fresh page trailing white; the
   catalogue prints its entries in the register form (numeral · entry ·
   thumb abreast), an index rather than a stack of pocket cards.
   -------------------------------------------------------------------------- */
.plate-fig--portrait { max-width: min(30rem, 100%); }

.catalogue-entry {
  grid-template-columns: minmax(3.4rem, auto) minmax(0, 1fr) minmax(9rem, 11.5rem);
}
.catalogue-entry__num {
  text-align: right;
  font-size: 2.6rem;
  padding-top: 0.12em;
  margin-bottom: 0;
}
.catalogue-thumb {
  max-width: none;
  margin-top: var(--s-2);
}

/* --------------------------------------------------------------------------
   8 · Small print-craft. Links keep their quiet underlines and their ink;
   no URL is spelled after them. The two-tone accents, kickers and gold
   marks print in their own colors: browsers print text ink faithfully.
   -------------------------------------------------------------------------- */
a {
  color: inherit;
  text-decoration-color: rgba(27, 20, 9, 0.4);
}
.ink-link, .kicker, .plate-label, .pullquote__attr, .pullquote__attribution {
  color: var(--gold-deep);
}